Blog:
Andy Graydon: Subsequent releases updated
Link
Raster-Noton: latest releases updated (R-N 106)
Link
Raster-Noton: Catalogue updated (R-N 106)
Link
______________________________________
New releases:
Label: WHITE_LINE Editions
Cat. #: 001.011
Format: 3" CD-R
Release date: 03/2009
Notes by Richard Garet:
ARCHISONICS: Subtracted (Pier D) by Richard Garet
On the west side of Manhattan on 64th Street, literally on the Hudson River, and as part of the current Riverside Park, one can observe a dark and tangled metallic structure rising from the water known as, Pier D.
This is a structure that was accidentally created by the subtractive processes of a consuming fire, random chaos, erosion, and organic modification. Such accidental design was established by the take-away-process of the fire, reducing the materials and architecture of Pier D from its original state to a completely different, tangled, and abridged framework.
In this case the intuitive or formal techniques of creation were devised by chaos and reestablished by human choice, as found material, appropriation, or a readymade apparatus, when a member of the local government decided to protect Pier D. Since 2003 the structure remains as part of the Riverside Park South project, and considered both an accidental work of art and a piece of industrial heritage.
Other names were given to the remaining structure through the years such as the “Frank Gehry Pier” based on its organic shapes, and the “Spaghetti Pier” because of its tangled steel untidiness.
To make this sonic construction I focused very strictly on what I knew about Pier D and tried to the best of my ability to apply this take-away-process to the making of my piece.
This work is the result of field recordings submitted to systems, digital processing, and reduction.
(Richard Garet)This is a structure that was accidentally created by the subtractive processes of a consuming fire, random chaos, erosion, and organic modification. Such accidental design was established by the take-away-process of the fire, reducing the materials and architecture of Pier D from its original state to a completely different, tangled, and abridged framework.
In this case the intuitive or formal techniques of creation were devised by chaos and reestablished by human choice, as found material, appropriation, or a readymade apparatus, when a member of the local government decided to protect Pier D. Since 2003 the structure remains as part of the Riverside Park South project, and considered both an accidental work of art and a piece of industrial heritage.
Other names were given to the remaining structure through the years such as the “Frank Gehry Pier” based on its organic shapes, and the “Spaghetti Pier” because of its tangled steel untidiness.
To make this sonic construction I focused very strictly on what I knew about Pier D and tried to the best of my ability to apply this take-away-process to the making of my piece.
This work is the result of field recordings submitted to systems, digital processing, and reduction.
Also included a work by Andy Graydon based on the architectural work of Mies Van Der Rohe.
Link
______________________________________
Interviews:
Lawrence English
Interview @ Rave Magazine.
______________________________________
Netlabels:
Label: Modisti
Cat. #: Modisti 05
Format: File, Mp3
Release date: 03/2009
Interview with Wolgang Peter Menzel (Earwolf) @ SoundLAB
Link
______________________________________
______________________________________
Netlabels:
Earwolf - Ice & Energy Playing Mills
Label: Modisti
Cat. #: Modisti 05
Format: File, Mp3
Release date: 03/2009
Interview with Wolgang Peter Menzel (Earwolf) @ SoundLAB
Link
______________________________________